Showing posts with label new zealand. Show all posts
Showing posts with label new zealand. Show all posts

Tuesday, 15 May 2018

Auckland Sailors Home 1887- designed by Edward Bartley



Auckland Sailors Home 1887 Image taken on completion by Richardson.From BFA collection


It is all about seafarers today.
The intention here to to answer some queries about the Auckland Sailors Home which used to stand at the bottom of Albert St. I confess to a second purpose though - to put in a plug for the Mission to Seafarers.
Marsden Point is our local port here in Ruakaka. It is growing at a tremendous rate with the opening of container facilities and increased shipping schedules. We have a seafarer's centre too, run by volunteers who also do ship visits. More help would be most appreciated - here and in all New Zealand ports.
The men and women who crew merchant ships ensure the transportation of fuels and goods which sustain our way of life -but they have a low profile. Their issues with working conditions and isolation seldom make the media.
On-board internet access while at sea is now available but it has brought about a lessening of actual engagement during voyages - according to the Crew Connectivity Report published this year.  Volunteer and community support from citizens of host ports is still essential to seamen. If you live in a port town anywhere in the world you have a Seafarer's Centre. Please consider how you may help out there. We are all international citizens aren't we?

Details of Seafarer's Centres in New Zealand today may be found here

Now let's take a look at a story of generosity to seafarers from the 1880's.

Edward Bartley designed the Sailors' Home in 1886 but a benefactor made it possible. This was Edward Costley who was a resident of Auckland. He had no dependants and lived very frugally. When he died in April 1883 the bulk of his estate was divided amongst seven public institutions: Auckland Hospital; the Old Peoples’ Home; the Parnell Orphan House; the Auckland Institute; the Auckland Free Public Library; the Sailors’ Home and the Boys Training Institute at Kohimarama.

Costley's memorial in Symond's St Cemetery erected by citizens of Auckland. Image BFA

The Government initially made a claim for the whole of the money left in the Costley legacy to be handed over. That  move met strong resistance. Both the Hospital Committee and the Trustees of Mr. Costley’s bequest knew local bodies would soon become responsible for the maintenance of their own hospitals and charitable institutions under the new Hospital and Charitable Boards Act. They fought hard and won. It took three years but at last the funds were paid out in  December 1886.

The bequest to the Sailors’ Home was £12,150 and, as a result of this gift, a non-profit making corporation was established to take over the functions of the Sailors’ Rest. 1
This new organisation was to erect the Auckland Sailors’ Home and to administer the funds supplied by the bequest. The Harbour Board granted a site at the foot of Albert St for the use of the new Home, in an exchange for the site of the old Sailors’ Rest.

Competitive designs were called for in April 1886, with Mr. Wade, president of the Institute of Architects appointed as judge.  Being successful, Edward prepared working plans in July for a three storey brick building with white stone facings. Tenders were called for in January 1887. The original design Edward  put forward was unacceptable on the grounds of expense. He was asked to rework his plans to meet the limit.

Following a fire testing demonstration, Edward argued strongly for a new product - Blaikie's fire resistant plastering system. He used his good rapport with the Press to emphasise the importance of fire safety. The Trustees accepted amended plans and the necessity for using the new system on the top two floors, bringing the total cost for building and foundations to £3135. Thomas Colebrook's was the winning tender for the work.2
The brief was to provide adequate accommodation and facilities for seamen without excessive expense or ornamentation. The result was a restrained and well-proportioned building on a corner site fronting both Albert and Quay Streets. It opened on 1 December 1887.3

The facilities included a social room, hall, dining room, library, chaplain’s room and management accommodation, apart from sleeping accommodation for seamen and officers. At the time the feature most commented on was the grand stairway to the upper floors. This rose from the centre of the building and was accessible from all parts. The most imposing view of the stairway was from the vestibule of the main Quay St entrance, giving a sense of heightened drama and upward movement as the centre of the building was approached.

This image from Auckland Museum's collection shows the lobby in the mid 20th century. Some remnants of the original architecture can still  be seen. 

A hall was later built alongside to seat 300 people. Religious services, musical evenings and socials attracted good attendance where mariners could mix comfortably with locals, supervised by an active management committee. A key philosophy of the institution was its 'open door' policy. All mariners were welcome regardless of race or creed. 
The building was demolished during the late 20th century redevelopment of Quay St.

This mid 20th century image shows the two frontages, here looking up Albert St from Quay St. Image APL 020-15




1. Refer NZH 5 April 1886 page 3
2. Ibid 7 April 1887 laying of the foundation stone, 1 Dec 1887 completion
3. Ibid 2 Dec 1887 opening ceremony
4. 

Tuesday, 10 April 2018

Otto. Keven. Hannken, Waddell and Nicolle

APL SGGSC5-2748



Today we look at some of the research queries received in the last few weeks. There is some fantastic work going on. The purpose of this post is twofold- to publicise some recent activity and to invite your assistance and connection with other researchers.

Jan in Australia has recently linked up with other Hannken 'cousins' through the Ancestry DNA network. She is looking for a copy of Philip Hannken's biography of his father Frederick titled 'The Pioneer'. Her copy (now lost) was in a plain green binding, probably published privately in the late nineteenth or early twentieth century. Does anyone own a copy which could be scanned and shared?

Still on Hannken matters- a researcher asks: does anyone know the whereabouts of the Hannken/Waddell family album auctioned through Art & Object in August 2015. The catalogue entry reads:
 CARTE DE VISITES, - ALBUM
Auckland
31 carte de visites mostly portraits by Hemus & Hanna, Queen St,
Auckland with several different logos verso. Single images by Clarke
Brothers, Queen St, Auckland; R.H. Bartlett Auckland; Foy Brothers
Thames; E. Willmott, Queen
St Auckland; Gregorys Ponsonby Road; Tuttles & Co Auckland, Josiah
Martin Auckland.
The photographs appear to mainly members of the Waddell and
Hannken families.
Two images of shop frontages one of ‘Hannken Bros First Cheap Cash
Sale’ and one of Waddell Steam Biscuit Factory.
Some of the photographs are faded with some spotting mostly G to
VG.
All in a small oblong album bound with squares of mother of pearl,
brass clasps and aleather spine, the album is worn with loose pages
and the spine is split.
$300 - $400

Turning now to Otto/Keven history. Jeremy is researching the early life of Thomas Keven. He is particularly interested in picking up the trail from Australia back to Britain. Would anyone currently working in the same area be interested in collaborating?

Jeremy has also explored the Nicolle family in considerable detail, using primary source material to establish the lineage of Eliza Nicolle wife of George Otto. He draws attention to the number of unsubstantiated trees for Nicolle which have been published and highlights the potential pitfalls for researchers. Jeremy has shared his research here see Descendants of George Nicolle.

Friday, 23 February 2018

The Grey Statue Auckland City


NZGraphic 05 Nov 1904


The Statue of Governor Grey now in Albert Park is one of early Auckland's signature pieces of statuary. The 21st Century Aucklander is likely to view this artwork and George Grey's career in a very different light to their 19th and 20th Century counterparts.

Edward Bartley was involved in this project. So today we explore the history of the statue -while gingerly stepping around the sensitivities associated with the gentleman represented.

A memorial committee was formed in 1898 to organise events and tributes associated with Grey's memorial day on 18 February 1899. This was a national memorial day, coinciding with similar events in Australia and South Africa.
During the Auckland Industrial and Mining Exhibition,1 which opened that year, donations to a memorial fund were collected. A special Exhibition Day was also organised, from which a portion of gate takings were allocated to the fund. 2
AWN 24 Feb 1899

Afterwards subsciptions were requested to top up the fund. A more permanent tribute was planned. The statue was commissioned in 1903, to which the Government contributed £100. The remainder of the cost - over £1800- was raised by those public subscriptions. It was a considerable investment made by Aucklanders.

In 1904 Edward Bartley was engaged to design a base for the statue. Once the site was finally agreed on he recommended that something in the style of Dublin's Oliver Goldsmith statue was appropriate.3

The Goldsmith statue, Trinity College Dublin. Image Dublin Tales visit here

The statue itself was produced in England by Francis J Williamson of London for £1260 and shipped to New Zealand by the Wakanui in September 1904.

This was a conservative selection of sculptor by the committee. Williamson received regular commissions from municipal and civic clients in the United Kingdom. His bust of the mature Queen Victoria was replicated many times. Critics noted his work lacked any fluid vitality but it was certainly 'appropriate' and fulfilled the intended function of commemmoration.

The marble statue was 8' high (2.4m). The granite for both pedestal and base were sourced from Coromandel, rising 14'6". Plaques on each side record Grey's service to the Empire and the tributes accorded to him by northern New Zealand:
NZH 21 Dec 1904

On 21 December 1904 the work was unveiled. Part of the proceedings included a phonograph recording made by Grey in February 1891.
AWN 29 Dec 1904

AWN 29 Dec 1904


The elevated site - at the intersection of Queen and Grey St- was well chosen. The fire-bell tower was there in Grey's time and formed a rallying point for political gatherings and temperance assemblies.

That it continued to be so is clear from this image of M J Savage addressing Aucklanders in 1912.

AWN 26 Sept 1912. note the statue's position relative to the Town Hall.


The Grey statue  moved to Albert Park in 1922, where it may be seen today. The stepped platform has been removed. This alteration to the proportions of the whole assembly presents a less than ideal composition. The work was never intended to retire into a restful or contemplative park atmosphere.

Image APL E7-23 Albert Park

It may be that the intention was to more remove Aucklander's political gathering place.  In declaring the Governor's memorial a traffic hazard were the civic planners hoping to dampen the rallying leadership of strong personalities -by then more feared than in colonial days?

Certainly statuary encapsulates the values of the times in which they were made. Each generation views their own cultural- and sculptural- story through the lens of their own time and debates their erection or removal accordingly. Historian Grant Morris discussed these issues in a September 2017 interview recorded here. Enjoy.

1. see more information here
2. NZH 24 Jan 1899
3. AS 26 May 1904

Tuesday, 2 May 2017

Some Irish Lines - Tobin of Cork, Eire




I had a request recently for more images of some of the Irish connections of the Bartley families. Today we focus on Patrick Tobin who settled in Wellington, New Zealand.

Patrick Tobin abt 1919, taken before his journey to NZ


Patrick was the third of eight children born to Maurice Tobin and Bridget O'Donnell of Michelston, Cork, Eire. The Tobin farm at Curaghavoe is still held in the family, despite the history of conflict and famine in the region during the nineteenth century. The imposed laws of inheritance, along with economic distress, led to an ongoing dispersal of Irish people around the world. Within that framework, the Tobin's tenure and connection to their place of origin remained resilient. Many of Patrick's wider family group did not fare so well.

His paternal grandparents were Maurice Tobin and Ellen McGrath. His mother's parents were Patrick O'Donnell and Ellen Connell. The O'Donnell's were farmers from Lyreen, Cork. His O'Donnell uncles immigrated to New Zealand in the 1880's and facilitated their nephew's settlement later on.
Their only sister, Bridget married Maurice Tobin at Kilworth, Fermoy on 5 February 1893. She was 22 years old. This photo of Bridget with her mother Ellen Connell was most likely taken to mark that occasion.



Patrick's eldest sibling, Nellie, was born in 1894, followed by Maurice in 1899 and Patrick himself in 1901. John was born in 1902, May in 1903, Bridget 1905, Catherine in 1906 and Margaret in 1911.

Maurice Tobin, who also came to New Zealand

John Tobin, who took over the farm from his father 
Mother Bridget nee O'Donnell in the centre with daughters Bridget Tobin on the right, Catherine Tobin on the left
Peg (Margaret) on the left with May on the right

May Tobin, second left at front, completing her schooling just as the Great War began





After the Great War came the escalation of civil disorder in Ireland. Patrick left for New Zealand as soon as domestic travel was resumed for immigrants in 1919. Maurice came later in 1923. The family story was that Maurice had originally planned to succeed to the farm, as eldest son, but it was not safe for him to remain in Cork any longer. Certainly the brothers were at opposite sides of the political spectrum, a situation common to many families at this time. The assassination of a relative in January 1923, was reported here in the NZ Herald (08 Jan 1923). Maurice, also a government employee, left almost immediately afterwards.




Maurice settled in Auckland, New Zealand and married late in life. He died there in 1967 and was interred at Mangere cemetery with his wife Della.

John meanwhile had joined cousins in New York, a culture which he relished. He returned to Cork in 1926, when their father Maurice died aged 60.

John enjoying an American St Patrick's Day in the early 1920s

Catherine, also known as Kate or Kathleen, also went to the United States.
Kathleen on a trip home to Ireland in 1941 to attend her mother's funeral


Patrick, after his journey to Wellington, joined his O'Donnell cousins at their market gardens north of the city. Trained as a radio operator he found clerical work in Wellington more in demand. During the 1930's he worked in the head office of J R McKenzie's department stores.

Here Patrick, front row far left, in the support role for the 1934 McKenzie's rugby team

 Patrick met Annie Coyne from Makahu, Taranaki and married in Wellington on 25 June 1927. Patrick and Annie had four daughters - Eileen, who joined the Sisters of St Joseph; Patricia, who married Harold Bartley and settled in Auckland; Margaret, who died young; and Kathleen, who married Murray Elliott and settled in Darwin, Australia.

Patrick and Annie on their wedding day

Eldest daughter Eileen Tobin (1928-2003)

Patrick and Annie with their youngest daughter Kathleen

Second daughter Patricia (1929-2012) on her wedding day 


Monday, 21 December 2015

Summer Holiday



Thank you everyone for your support during the year. Hope you enjoy this visual celebration of the New Zealand Summer. Have a wonderful holiday season and travel safe



Festive Entertainment advertised Auckland Star 23 December 1876

The Auckland Photographic Club Summer excursion at Auckland Domain. Possibly Fred Bartley seated 3rd from left. Undated Image BFA






Auck Star 21 Dec 1876

The family of Robert and Esther Bartley at Taupaki early 1900s. Donated Image BFA
Cheltenham Beach, interwar years. Image by George Bartley BFA

Crozier family picnic Southland early 1900s Image Harry Crozier BFA

Takapuna Beach January 1906 Image SGGSC A256


Saturday, 4 April 2015

Tuesday, 24 March 2015

St Mary's Pokeno - Harriet Johnston makes her mark

St Mary's Pokeno Front Entrance. Image BFA

It is great to be back. Apologies to you all for the long break. 
Today’s post is about a Gothic Revival treasure in the Waikato. There is a lovely story with it too. I hope you enjoy sharing our research on St Mary’s.

Let us first travel back to the Waikato of the 1860’s. War scarred both the landscape and the communities of the region during that decade. This was followed by punitive confiscations of land. The Pokeno block was taken in this process.

The site of St Mary’s Church, near the junction of the route to Thames and the Great South Road, was originally part of that Pokeno block. It passed through several settler’s hands during the next thirty years until Mr Francis William PYNE bought it as part of a 700 acre parcel in 1890.[i]

Mr Pyne, son of the Rector at Oxted, Surrey, arrived in New Zealand the year before. He was a well educated man, unmarried at that time. In 1892 he welcomed 63 year old Harriet JOHNSTON to his home. Miss Johnston was a well to do lady from Devonshire. She may well have been a family connection of the Pynes.

Miss Johnston was to prove an asset to the Pokeno district. After Francis Pyne married in 1894[ii] she threw her considerable energy into improving amenities in the area. Amongst other projects she donated the cost of a community hall, oversaw the construction and donated the interior fittings, including a piano.

In similar style, Miss Johnston turned her attention to the spiritual welfare of the community. At this time services were conducted by an itinerant clergyman on a monthly rotation. She envisioned a new church and a resident clergyman for Pokeno.

Using her resources and her connections, the project was instigated and completed in short order. Mr Pyne was called upon to donate the land for a church complex, intended to include vicarage and school. Diocesan heads were advised of her intention.

Edward Bartley, as Diocesan Architect, was consulted and requested to draw up plans for the new St Mary’s. The result was a miniature masterpiece of Gothic Revival. This church, along with All Saint’s in Kamo, Whangarei, was one of the last in a long association with the Anglican Church. They are also generally the most admired, as work of a mature and confident hand. It is certain that Edward was required to work closely with Miss Johnston and her chosen Deacon/Curate Rev H WINGFIELD.

The foundation stone was laid on November 4, 1899[iii] and the church was consecrated on 25 March the following year.[iv] Under a deed of gift the church and grounds were vested in the Diocese. The Primate of New Zealand was officiating and present to accept the gift.
The footprint of the building is 60 x 20 feet. The transept, 27 feet wide and 9 foot square porch were completed with a tower offset to the north containing the vestry and belfry. There was, of course, a dainty spire. The gabled roof was shingled and supported on massive beams. These were left exposed and treated to enhance the beauty of the native kauri timbers.[v]

St Mary's Pokeno rear view. Image BFA

Miss Johnston was equally attentive to the interior fittings. At the time of the consecration the some of the windows were plain and some coloured. This was because the stained glass windows she had commissioned from England had not yet arrived. A further window was commissioned for the west wall in 1910.

 Draperies were worked by the St Mary’s Guild of Parnell, the chancel and pulpit steps were carpeted and an Oamaru stone font installed. Seating was provided for 150 worshippers, being beautifully proportioned kauri pews. The following year Miss Johnston accepted delivery of three bells for the tower. They were the product of Warner and Sons of Cripplegate, London’s foremost bell casters.

Harriet Johnston died in 1916, leaving all of her estate to Francis Pyne. St Mary’s was her most lasting legacy, though it is unlikely she envisaged how brief its active role in the community would be. 
Soon after her death Francis Pyne disagreed with the vicar over the matter of stipend. In 1920 the church closed as a result of this dispute. The vicarage was also repossessed about this time and the property was put up for sale. From the early 1920’s the parish was accommodated by clergy from Bombay.
Fortunately for us the people of Pokeno loved their Category II[vi] historic church and have resisted all proposals to move the building. Thanks to them, the building was also kept in good repair and is still serving a vibrant community.

Link to  St Mary’s Homepage at  http://bombay-pokeno.org.nz/





[i] Cyclopaedia of NZ  1902 p 696 Pokeno
[ii] 24 January 1894 to Bertha PICKIN N Z Herald 23 Feb 1894 page 4, by his uncle Rev. KIRKBRIDE.
[iii] NZH 3 Nov 1899 page 3 col. 5
[iv] Anglican Church Gazette April 1900.
[v] Ibid May 1900; NZH 27 March 1900 page 3 col.7
[vi] Historic Places Trust List #695, Category 2

Saturday, 21 February 2015

Auckland, New Zealand in 1852

Part 2 of 4, P J Hogan's Lithograph of Auckland in 1852



Can we imagine what Auckland was like for those early settler families like the Hannkens, the Ottos and the Bartleys? 

The town was already changed out of all recognition just thirty years after Fred Hannken settled his family in Queen St.
 
The following extract from the Auckland Weekly News helps us form a picture. It describes the town of Auckland in those early years.

"In our present issue we give the first of a series of four views of Auckland in 1852 from the pencil of the late Mr P. J. Hogan, of Parnell and which were subsequently lithographed in London and published at the old New Zealander office, Shortland Street. These sketches recall to the memory of many Auckland residents reminiscences of the olden times. 
In that thirty years times have changed and men have changed with them....Even the physical features of the harbour of Auckland are altered, through the changes which the growth of the commerce of the port and the railway system have brought about.
...At this period the town was practically comprised in a line drawn from Princes St down ‘Generals Hill’ at the road past the Northern Club was called, up Victoria Street to Hobson St, thence to the sea and along the beach to Soldier’s Point (Fort Britomart) and thence to the point of commencement. 
The portion west and south of Hobson St was best known as ‘Chapel Hill’ which in the olden days was protected by Ligar’s Redoubt situated on an allotment opposite the Scotia Hotel, Hobson St and the eastern entrenchments of which disappeared when the allotments were lit in building sections by the Board of Education. 
South and west of these boundary lines were only a few scattered houses in the various streets with considerable patches of scrub and tea tree. Hobson St, south of Victoria St, had scarcely a house on it, while Pitt St and Karangahappe Rd to the Windmill simply existed on the map. 
Upper Queen St was a footpath leading through tangled fern across a deep gully while Upper Symonds St and Khyber Pass Rd were only about to be formed by working parties of the 58th Regiment. 
The principal outlet to the country and by which the whole traffic passed being Parnell, Newton and the whole of the district west of Hobson St, Freeman’s Bay and Ponsonby lay in a state of nature, with here and there a settler’s residence in the expanse of fern. Mr Probert in Newton and Mr Cox in Cook St and Freeman’s Bay were pioneers of civilisation in these benighted districts.
As for aristocratic Ponsonby it was less known that Kikowhakerere. Its rival, Parnell or to speak by the card ‘Mechanic’s Hill’ was then, as now, the sanctuary of Government officials and had a strong ecclesiastical flavour about it. A few houses were clustered on St Barnabas Point, while Bull’s grocery, Tom Johnson’s Windsor Castle, Mr Vidal’s, Mr Elliott’s and Dr Pollen’s dwellings were the leading features of the Parnell main road, Colonel Hulme and Major Mafaou, near the top of the hill, forming the outlying posts in that direction, while from the road southward to the Domain the gun-brown tern reigned supreme.
... In Mechanics Bay (Waipapa) at that date, the tide laved the sandy beach of the Strand, lined from end to end with native canoes, whose owners, at their tents on the beach, at the native hostelry, drove a brisk trade in produce and kept the bay jocund with song and jest and dance alike, on the beach and in the raupo huts on the hill above the bridge.

Auckland Weekly News 11 October 1884 Supplement page 1 and 3

Thursday, 16 October 2014

New Zealand Servicemen - 3rd Division, 37 Battery Artillery - Ron Buchanan


A tribute to a serviceman today.
Miss Doreen Buchanan, the donor of this material, wished to share the materials she had preserved from the period of the Second World War.
Without living relatives, she donated these images and documents to Bartley Family Archive in order to ensure their preservation. She also asked that we share her brother's memorabilia, as well as make it safe for the future. Hence this post.
All originals will be sent on to the National Army Museum. http://www.armymuseum.co.nz/

If you have historical images and documentation but are unsure how to preserve it please do contact your local museum. They always welcome enquiries from the community and are well qualified to give you the best advice.

Ronald Redmund BUCHANAN was the son of James (Jimmy) Buchanan of Ellerslie, Auckland, New Zealand.
Ron's father was a well known jockey and horse trainer with stables in Puriri Avenue, Greenlane. The Buchanans had Ellerslie connections dating back to the 1890s.

Mass photo of entire 3rd Division, 37 Battery Artillery, image BFA

Reverse hold the signatures of all the men in the Division, image BFA

Ron Buchanan on the occasion of his enlistment #49262
This is Ron's pay book showing typical entries for armed forces pay roll.
Soldier's Identity Certificate and service medals: 1939-45 Star; 1939-35 Medal; Pacific Star;Defence Medal; Service 1939-45
A welcome telegram to anxious parents
Soldier's Certificate of Discharge

Thursday, 29 May 2014

New Base for Bartley Archive




BARTLEY FAMILY ARCHIVE

Meg Bartley, Archivist
 homestead51@gmail.com

During May our household moved to Northland. 
Bartley Archive is now based in the Whangarei District. The project is a volunteer one, begun in 1998, providing research assistance to private individuals and public organisations.

While this move was a lifestyle choice, it provides a good opportunity to increase our knowledge of the Bartley connections to the region.
Family members settled in Silverdale, Kaipara, Whananaki and other areas of the mid-north, with connections extending to the Bay of Islands.

Donations to the archive of images, genealogical data and ephemera are gratefully received, on the understanding that materials will be shared with other researchers. 

Tuesday, 5 November 2013

Edward Bartley - The Formative Years


Family researchers and students often contact our archive looking for background information which gives context to the bald data of their source material.
Today I post an extract from our earlier publication Colonial Architect. The information presented here is relevant to both Robert and Edward Bartley researchers seeking to understand their ancestors immigration and settlement in New Zealand, and to those whose interest area relates to the development of early Auckland.
St Helier Harbour, Jersey,Channel Islands image from BFA Postcard collection

The environment and attitudes of Europe in the Victorian Age were to have a lasting effect on Edward Bartley. His formative years were spent in the Channel Islands in a close family environment. He was born in 1839 in the Channel Islands parish of St Helier, Jersey. The Islands were, and still are today, a dependency of the British Crown but not of the British parliament. Their peculiar independent status stemmed from an historical connection with the Duchy of Normandy. The local dialect of Jersiaise is a derivative of that Norman French.
Edward was one of a large family of twelve children. A strong sense of duty and service to community was instilled in all ten surviving children, as they were raised according to the strict Methodist principles of their parents. The Bartley children, like many of their fellow parishioners, were a typical mixture of English and native Channel Islands stock. Schooling and business were conducted in Jersiaise. They lived in a tight-knit local community but had family connections on the island of Guernsey, in England, Europe and in America.
The family home was in Union Court, St Helier- a short lane running off the North side of Union Street. Their home was designed and built by their father, one of several houses in the development of the Court. The Bartley children were well educated, according to the standards of the day. Edward received a solid grounding in drawing, drafting, music and calculation, in addition to the languages, classics and mathematics. He had also acquired a taste for the new science and technologies, which were developing swiftly at that time. In particular the advancements made in the development of the microscope, and in photography, continued to interest him all his life.
Edward was apprenticed to his father, a builder/ architect, at the age of 13. In this he followed his eldest brother, Robert, who was already qualified as a master builder. Two years later he left Jersey, having acquired some work experience and the saleable skills of building and carpentry.
The family’s decision for some members to leave the Islands followed an earlier pattern. An elder married sister, Eliza, left for Australia around 1850. Other cousins and in-laws had settled in America. The local economy was flat, with no further large public building projects being considered. Their father was of an age to retire. He had also contracted tuberculosis, a disease which had already claimed several family members. Emmigration was always a viable option, whether for physical or economic wellbeing. Even the longest sea journey was an attractive proposition with the right inducement.
Edward was fortunate to travel with his eldest brother Robert, a married man, with several children. There were a number of likely destinations available to the family, but the possibility of land grants to approved settlers may have tipped the balance in favour of New Zealand. The Provincial Government of Auckland was keen to attract immigrants and had begun advertising in the British Isles a scheme of free grants of land in the Province. The rate of entitlement for Cabin passengers was one half the sum outlayed in passage money. Robert and Esther bought passage for their family, Esther's sister and Edward, under this scheme. Leaving in June, from England, on board the Joseph Fletcher, the Bartley family arrived in Auckland in October 1854. They must have felt their decision a timely one. In March of that year conditions in Europe had deteriorated further, leading ultimately to the British declaration of war against Russia.
Auckland in 1854 was no sophisticated port settlement.  In the absence of a wharf, the ships anchored in midstream. Passengers and goods were transferred to lighters and run ashore on to the beach to disembark. In some weathers this could be a hazardous and nerve wracking end to a long sea journey, especially for parents of young children who had been penned up for several months.
Edward had worked primarily as an apprentice carpenter and joiner on Jersey. Robert had been employed on a number of large projects there, where the majority of new buildings were constructed from the plentiful local stone. However, the builders waiting at Auckland for the arrival of the Joseph Fletcher that October were keen to acquire skilled labour for a very different kind of construction. Here they were concerned with building entirely in wood, from the very foundations on up. Men with good training who could quickly adapt to colonial methods were desperately needed- men who were not above dressing their own timber in order to get the job done. It was hard physical work that was waiting and there was plenty of it.
Edward's sketch of the first Auckland Prison and Gallows illustrates the contrast in environment between St Helier and Auckland

Edward later recalled how strange the work seemed to him, used to the more delicate work of cabinetmaking. He and his brother were employed by the builder Mr A Black to construct a block of five two-storey shops at the corner of Queen and Victoria St East. There were no timber mills supplying dressed timber. At this time all the boards had to be planed and the tongue and groove worked by hand. The men worked a twelve hour day.
In 1855 when William Griffin, the Chartist activist, called the first public meeting of the Eight Hour Movement in Auckland Edward and a co-worker William Philcox were in attendance. They became instrumental in organising carpenters to be one of the first trades to take action in support of an eight hour day. Employers were given six months notice of their intention to work eight hours instead of twelve. This gentlemanly consideration was given to prevent the disruption of contracts already tendered for. The Chartist principles and the disturbances they occasioned in Britain had left a deep impression on the young Edward growing up in Jersey. Over the years he continued his association with the Eight Hour Movement, working on the committee and attending the annual soiree and the later picnics on Regatta Day.
By 1857 Edward was working with Mr Edmund Israel Matthews. Mr Matthews had come to New Zealand about 1848 with the Department of Royal Engineers. This former Clerk of Works had retired from service to conduct business on his own behalf as a contractor. His contacts and reliability ensured him the lion’s share of Government work. Edward was now 18 years of age. In that year work began on the Mt Eden Gaol, under the supervision of architect Mr Reader Wood.[i] Mr Matthews, with Edward under his wing, was one of the contractors involved in the construction.
Edward's later career owed a great deal to the guidance of Edmund Matthews. He introduced Edward to the superior methods and systems of the Royal Engineers. He also facilitated Edward's access to the latest developments in engineering and construction through his influential connections in provincial government and the military.
Two years later, in February 1859, Edward married Elizabeth Hannken. Elizabeth’s family had come to New Zealand in 1840, settling first in Coromandel before coming to Auckland. Both the Hannken’s and the Bartley’s worshipped at the High St Chapel and her grandmother was from a Jersey family. Edward and Elizabeth shared an interest in music and had both joined the new Auckland Choral Society. The young couple made their home in Union St, becoming owners of part of the original Hannken property there. [ii]
 In 1858 the Militia Act had divided the country into military districts and a system of ballot was introduced. Allowances were made, however, for men to substitute service in volunteer companies in satisfaction of their militia duties. A great number, including Edward, did so. He became a member of the Royal Rifle Company of Volunteers. Part of his employment in this year was work on the construction of the Whau blockhouse, situated in the area now called Blockhouse Bay. Colonel Mould, of the Royal Engineers, designed the building and was careful to acquire the most strategic site. Set above the harbour it was constructed to monitor and defend the traditional route from the Whau estuary to the Manukau. The payments to E. I. Matthews dated from 14 April 1860 until 9 June 1860.
By this time the population of Auckland had grown to approximately 8000 people.
Improvements had been made in the main commercial area of Shortland St and amenities provided where they coincided with the requirements of the government and the military. Elsewhere the streets were narrow, dusty in summer and a quagmire in the winter. Fire had destroyed much of the High St area in 1858, resulting in a shift towards development of Queen St. At that time Queen St was definitely not a prestigious location. It was divided by the tidal Horutu Creek, which ran down the middle of the street. Known locally as the Ligar Canal, this foetid waterway served as a sewer and a drain for adjacent properties, meeting the sea in a swampy area at the beach. The creek was mostly boarded over with planks by the 1860s, but still a hazard to health and personal safety.
As early as February 1854 there had been petitions and complaints registered against the continued use of wooden construction in the town.[iii] Fire was an ever- present threat and Auckland was without adequate water or facilities to fight back. Most Auckland streets contained rows of small wooden dwellings packed close together alongside workshops, mills, smithies and commercial premises. Apart from the fire risk there were serious public health issues to contend with as the population increased. Sanitation services were rudimentary and infant mortality was high.
In the absence of any cohesive town planning, construction went on in wood, much as before, with gradual expansion of businesses into previously undeveloped sites.
One of these new commercial buildings was the Auckland Savings Bank. The project had already experienced a good deal of delay and dissension before Mr Matthews won the contract for construction with a deadline of March 1862. The architect was, by then, Mr Reader Wood. In May a boundary dispute arose which stopped work and required the intervention of the Surveyor Mr Charles Heaphy. The Daily Southern Cross reported in August that the work on completing the building had been done in a creditable manner:[iv] This despite some debate on the standard of workmanship and the delay in it’s completion. Nevertheless the Bank Trustees deducted from their final payment to Mr Matthews a sum equivalent to the three months’ rent the bank had had to pay for its’ temporary accommodation. This experience may well have coloured Edward’s views on the relative bargaining positions of the contractor, the architect and the client. At this time there were no standard terms and conditions in building contracts. Much was assumed to be understood between the parties who worked together regularly in such a close environment. A specific out-clause for liability for time and cost over-runs was obviously not part of Mr Matthew’s protection in this case.
By 1862 Edward was a foreman, engaged with Mr Matthews in demolishing the original St Paul’s Anglican Church in Emily Place. The front gable and tower were left intact and the Church was replaced by a new design by Colonel Mould.[v] Edward particularly admired the design and construction of the roof principles. The building was, he felt, an example of true Gothic Architecture. [vi]   
Building work continued in Auckland while the atmosphere in the town became increasingly tense. The Waikato was only 40 miles away. Many settlers were sending their families into Auckland for their safety. The Volunteers were attending regular training and assisted in manning the Domain Blockhouse against surprise attack.
When the war broke out in July 1863 Orderly-Sergeant Edward Bartley of the No. 5 Militia was ordered to the Front. His active service was short lived. Eleven tradesmen were required to return to complete the Fort Britomart stores, as capacity was fast being outstripped by demand. Edward returned to town and set to work.
In 1865 Mr Matthews and Edward entered into a partnership. Edward was 26 years old and the father of three young children. He may have been able to bring some capital into the business by this stage, but the economic climate was not favourable to the building industry at this time. The military and immigration-led strength in the local economy was waning, making it a difficult time for any financial commitment. The capital city had been removed from Auckland in February, with the attendant loss of personnel and Government contracts. The gold fields of the South continued to pull people away to those areas of the country with more promise of wealth and few native concerns. The removal of the bulk of British troops was now clearly inevitable, no matter how much decried by the Auckland businessmen and speculators. Their partnership, however, seemed fortunate in securing regular engagements.
Matthew & Bartley, Builders traded from the Matthews Seering Hall in Grey Street, with further premises on Elliot Street.[vii] In later years Edward recalled working on the Wesleyan Church in Pitt St. It was completed and opened in October 1866. An inspection of the trust accounts for the Pitt St Church revealed no payments to Matthews & Bartley. It is likely, therefore, that they were sub-contractors to H White, the head contractor on the project, who managed the construction for the architect Mr Herepath. The foundation work for this building was huge and expensive but the building was finished on time, in less than twelve months.
Wesleyan Church, Pitt St, Auckland

The Supreme Court building was another early contract. This building had been started in 1863. The original builders were Amos & Taylor, working to the design of the architect Edward Rumsey. The building had been much criticised in the press, not only for the design but for the interior arrangements as well.[viii]  The services of Amos & Taylor had been dispensed with midway through the construction with acrimony on all sides. Edward later recalled the first payment from this contract came on April 27 1867 and the last in January 1868. This indicates that Matthews & Bartley were involved in the later stages of construction, probably as sub-contractors, from about March of 1867. The building continued to receive unfavourable press in the years to follow.[ix]

Supreme Court, now High Court Auckland

It was about this time that Edward met Anton Teutenberg, a trained engraver who had arrived in Auckland in July 1866 on the Rob Roy with his sisters and his nephew. Teutenberg's brother was already in New Zealand and well known in the Auckland Prussian community. On the voyage out Anton had passed the time with some carving and decorative work for the captain of the ship. Some of these examples of his craftsmanship were shown to the architect Mr Rumsey. This led to his being asked to provide a sample of work in stone  which was accepted, bringing him a commission to work on the heads and gargoyles for the Supreme Court.
Decorative carving detail, Supreme Court Auckland

Edward evidently admired the talents of this young man, maintaining a close business association with him for many years. After Anton opened his own engraving business in Auckland, in 1867, he continued to provide carving for Edward’s buildings. The best known of his later work was the elaborate pulpit and window decorations for St John’s Methodist Church Ponsonby.
February 1870 saw Edward moving to a greater degree of independence with the lease of offices in Albert St, on his own behalf. It was at about this time that he began to apply for purely architectural work in addition to tendering for available building contracts. About June 1872 he moved his growing family to a new home at The Strand, North Shore[x], later building his own home in Victoria Road, Devonport.




[i] Reader Wood trained in Leicester with William Flint, architect and surveyor. He arrived in Auckland in 1844. After serving in the North with the Volunteer Militia he served as Inspector of Roads and Deputy Surveyor General until 1856 when he turned to private practice as an architect and a career in politics as Member for Parnell.
[ii] Allottment 22, section 42, part of. Edward was still resident there in 1871. Refer Auckland Provincial Government Gazette Electoral Roll for West Ward #3 1863
[iii] Refer The New Zealander 11 February 1854
[iv] The Daily Southern Cross August 1862
[v] Colonel Mould was a man of many talents. Active in the Taranaki, he returned to Auckland and set       about organising recruitment, as well as supervising the provision of more satisfactory roads, which were so essential for improving troop movement to the Waikato
[vi] Reminiscences of Edward Bartley. Unpublished Manuscript. Bartley Family Archive
[vii] Auckland Directory 1866-67
[viii] New Zealand Herald 10 May 1865
[ix] New Zealand Herald 11 April 1871
[x] now Queen's Parade, Devonport