Edward Bartley & Holy Trinity, Devonport, Auckland

The Anglican Church of Holy Trinity was constructed in 1865.  The congregation more than doubled during the next ten years. This phenomenon was general to the district. The population of Devonport increased during the 1870's to just under 1000 residents. The pressure to enlarge facilities was felt by all religious and social organisations in the community.

A decision was made in 1874 to enlarge the existing church by extending the nave and aisles by 9 feet. Edward Bartley prepared the plans which were executed by Henry Pitts. At this time Edward was still operating predominantly as a master builder. By 1877 when a meeting of the Vestry agreed that a larger church was urgently required, it was Edward Bartley, now a practising architect, who was asked to draw plans for a new church. It is likely that his later appointment as Diocesan Architect was facilitated by this early involvement with Holy Trinity.

It was another three years before these plans for the church were accepted as real financial constraints dictated the pace of development. There were other calls on any money available for building. Funds were needed to purchase the house being rented and used as a parsonage. The Sunday School was also seriously overcrowded. 

All these projects relied on subscriptions and donations from the community. Over £400 was found to buy the parsonage and extend the school room during 1878. At the same time residents were being called on to support other community projects for education and arts facilities, meeting spaces and infrastructure. Consider how this level of commitment by the community compares to the average rate of charitable donation today. 

The Programme for one of several fundraising concerts organised by Alf Bartley with his father Edward in 1886.
 Image BFA 2003

The whole community rallied around to support the project with a number of entertainments and fetes.  One of the most successful event was a week long Egyptian Fair held in 1886. The drill shed at Devonport was transformed into the ancient East.
Edward Bartley worked with his son Alfred to design the stalls as stage sets. He had the professional assistance of his nephew Theo Queree, a recent Jersey immigrant who was particularly skilled in operatic stage design. Devonport resident H. N. Williams provided his considerable artistic flair and the benefit of his extensive travels in the Middle East. Visitors entered the Temples of Isis and Osiris, passed between columns and past friezes faithfully imitating the ancient style. The triumph at the eastern end of the stall was a desert sunset. Purchasers responded generously, delighted to buy fancy work and preserves from the matrons and young ladies suitably attired in a chastely Victorian version of Egyptian costume.

During 1884 the parsonage property was sold at a profit and Edward was asked to design a new vicarage within the £600 realised. £860 was required to construct the chancel and transepts of the new church, which was builder William Philcox's lowest tender.  The temporary sections were to be plain, functional and cheap. New building began at eastern end of the old church, which served as the nave in the meantime. 

The temporary solution for Holy Trinity 1883 Image APL SGGSC

The next stage was erected over the old building during 1886. This old church was  taken away and reconstructed on a section behind the new one. There were still plans to add a further ten feet to the front of the new church, along with a tower, spire and south porch.

 View of Holy Trinity, Devonport and surrounds, showing the new church with the old on an adjacent section c 1887. Image BFA

 From the south window, with its elaborate gothic tracery, to the joinery of the seats and fittings, this Church fills with soft light and texture- a celebration of wood and worship. 

Interior view, Holy Trinity, Devonport, Auckland. Image BFA 2003

All of the fittings were supplied by the congregation. Edward designed a new pulpit in native timbers to complement the interior, which was placed in the Church in time for its completion.

Pulpit Holy Trinity, Devonport, Edward Bartley. Image APL SGGSC 5896

No asset or effort was wasted. The Sunday School had again outgrown the space available so the schoolroom was hoisted onto skids and moved down to be joined to the old church.

The next building project proceeded immediately with the construction of the new Vicarage in 1887. There was then a pause until the new hall was built in 1910. This was financed by a mortgage. Edward Bartley, along with Humphrey Duder and George Hunt were appointed trustees for the property until it became debt free. 

A 1929 view showing the vicarge in the centre and the hall to the left. A glimpse of the church can be seen on the right. Image Sir George Grey Special Collections, Auckland Libraries, 4-5899

Edward died in 1919 and Duder in 1927, after which the property was vested in the Diocese, marking an end to the establishment phase for Holy Trinity. Plans for the third and final phase of building the tower and spire and south porch were never realised. 

Image BFA 2003

Aickin's Pharmacy Queen St - Edward Bartley

Retailers provided a good proportion of Edward Bartley’s early work.
One early trend setting example was a design in 1879 for Graves Aickin, the pharmacist and entrepreneur.

Aickin came to Auckland via San Francisco. He arrived in 1863 already a qualified pharmacist. Within a couple of years he set up business in Karangahape Road.

Like many others Graves Aickin joined in the gold rush to Thames in 1870. He may have met with more success than the majority because he moved bigger premises in Queen St shortly after his return.
It is about this time that he began discussions with Edward Bartley about a possible expansion.

Edward’s cousin Julia was related to James Ferneyhough who owned a property on Queen St, near Vulcan Lane. Part of the site was leased to a hairdressers. Aickin negotiated to take the remainder for his pharmaceutical business.

Auckland Evening Star 19 April 1879

Edward Bartley trained as a cabinetmaker. He loved fine work in beautiful timber. After twenty years of no frills construction he now had the chance to share his passion for good cabinet work.
Here was his opportunity to design a spectacular retail experience.
Money was no object for Mr Aickin – he wanted the best.

Auckland Weekly News 4 June 1881

This two storey building, constructed on a site opposite the Bank of New Zealand in Queen St, had a highly ornamental front elevation. That alone was impressive for the times. Lower Queen St was not a sophisticated area in the 1870’s.
What sent the commentators into raptures was the interior. This was retail such as Auckland had never seen.
We can imagine the conversation at Mungo’s Café next door, discussing the sensory experience of visiting for Aickin’s new premises for the first time.

Edward had, in his brother in law John Harvey, a talented craftsman. Harvey was employed to fit out the interior in cedar and mahogany. Bespoke cabinets were designed for the vast miscellany of requisites and drugs stocked by a manufacturing pharmacist. These were finished with hand carving and mouldings on their upper portion.
Other cabinets were sourced and imported from England.
Showcases for retail items were ranged along the whole of the south wall of the shop space.

A self- acting fountain on a marble- topped case threw out jets of perfumed water. This luxurious ambience was completed by an ornate dispensing counter to the rear of the premises. Imagine coming in off poorly drained, unsealed Queen St to that environment.

Edward specified some state of the art technology to streamline the daily transactions.
Speaking tubes were installed in a similar way to modern intercom systems. Some connected the dispensary to the surgeons consulting rooms on the level above. Others allowed communication with the bottlers and storerooms on the lower level.
There was no change from £1000 for the interior fittings alone. Together Mr Aickin and Edward had set the standard for other retailers to match.

It is our loss that Aickin’s pharmacy was faced over many years ago. There is, however, a continuation of high end retailing in that part of Queen St. We have Mr Aickin to thank for pioneering smart shopping in what was once a rather ‘down market’ part of central Auckland.