Showing posts with label channel islands. Show all posts
Showing posts with label channel islands. Show all posts

Tuesday, 10 April 2018

Otto. Keven. Hannken, Waddell and Nicolle

APL SGGSC5-2748



Today we look at some of the research queries received in the last few weeks. There is some fantastic work going on. The purpose of this post is twofold- to publicise some recent activity and to invite your assistance and connection with other researchers.

Jan in Australia has recently linked up with other Hannken 'cousins' through the Ancestry DNA network. She is looking for a copy of Philip Hannken's biography of his father Frederick titled 'The Pioneer'. Her copy (now lost) was in a plain green binding, probably published privately in the late nineteenth or early twentieth century. Does anyone own a copy which could be scanned and shared?

Still on Hannken matters- a researcher asks: does anyone know the whereabouts of the Hannken/Waddell family album auctioned through Art & Object in August 2015. The catalogue entry reads:
 CARTE DE VISITES, - ALBUM
Auckland
31 carte de visites mostly portraits by Hemus & Hanna, Queen St,
Auckland with several different logos verso. Single images by Clarke
Brothers, Queen St, Auckland; R.H. Bartlett Auckland; Foy Brothers
Thames; E. Willmott, Queen
St Auckland; Gregorys Ponsonby Road; Tuttles & Co Auckland, Josiah
Martin Auckland.
The photographs appear to mainly members of the Waddell and
Hannken families.
Two images of shop frontages one of ‘Hannken Bros First Cheap Cash
Sale’ and one of Waddell Steam Biscuit Factory.
Some of the photographs are faded with some spotting mostly G to
VG.
All in a small oblong album bound with squares of mother of pearl,
brass clasps and aleather spine, the album is worn with loose pages
and the spine is split.
$300 - $400

Turning now to Otto/Keven history. Jeremy is researching the early life of Thomas Keven. He is particularly interested in picking up the trail from Australia back to Britain. Would anyone currently working in the same area be interested in collaborating?

Jeremy has also explored the Nicolle family in considerable detail, using primary source material to establish the lineage of Eliza Nicolle wife of George Otto. He draws attention to the number of unsubstantiated trees for Nicolle which have been published and highlights the potential pitfalls for researchers. Jeremy has shared his research here see Descendants of George Nicolle.

Friday, 19 February 2016

New Flight Information


Royal Square St Helier,  an extract from the Ouless Album on file BFA


We have some exciting new research results to share today.
For the last few months I have been looking to clarify the information transcribed from the Bartley headstone Plot 180 at Green St Cemetery, Jersey. This work was done for us in the late 1980s by CIFHS volunteers. They did a marvellous job with what was then operating as a postal request service. The headstone was very weathered on the seaward side even then and no photograph was supplied. All the same, some valuable information was collected.
In places the volunteers had to make educated guesses. In particular the entries for Judith Caplain and Ann Flight were obscure. I am happy to say we can now clear up some of the confusion and add to our family story.

Anne Flight is recorded as wife of William Bartley, which she was. They married on 22 April 1797 at St Peter Port, Guernsey. What happened next goes a long way to explaining that confusing headstone. William Bartley died some time between 1801 and 1806. This was war time and it is likely he was involved in some way. His death record has not yet been found.

Widowed Anne remarried in 1806 to Nicolas Le Cappelain. We now know their daughter Judith Nancy Le Cappelain is the lady also mentioned in the transcript. Her name is anglicised to Caplain.
It took some time to find Judith’s marriage. Her husband was not a Bartley, as the transcribers had guessed. Judith married one Robert BAKER, who was from St Austell, Cornwall.
Judith was not found in the 1841 census of the Channel Islands and nor was Robert. We are not certain where she was living before her death in December 1845. She was buried with her mother and step family so it is possible she was herself widowed by this time.

That is not the end of the story concerning Anne Flight though. We had her date of death from the transcription which suggested that she had died in St Helier. That seemed likely but I could find no trace of her in the burial records of any Jersey parish. I had no luck finding her testament or probate in British or Jersey courts. Where was she? In desperation I widened my search to include court reports of all kinds held at Jersey Archives. There I found something astonishing.

 In September 1836 one John Hemmett was prosecuted for the mistreatment of his wife Ann Flight. The documents concerning the prosecution are not publicly available, so I am not able to publish the scan supplied. We can, however, paraphrase from my amateur translation:
On the night of 24 to 25 August 1836 Hemmett returned home late. His wife was asleep in bed but he attacked her ‘with violent force’. During the attack her jaw was broken and other injuries sustained. A neighbour raised the alarm and he was arrested by the constable. It is likely that this incident was a culmination of a repeating pattern, as guilt was admitted on appearance at court on September 3.

The outcome was a separation.  In essence the Court ordered Hemmett to surrender his wife’s possessions in the presence of a constable, to pay a financial compensation and to leave her alone. The financial and legal ramifications of any failure to observe the terms of this non-molestation order were clearly delineated. (Ref JA D/Y/G1/10/274)
Anne died 2 years after this incident. A return to the burial records of St Helier found her entry, the expected 5 days after the death date recorded at the cemetery. Given the circumstances it is no wonder her son Robert saw to it that she was interred at their family plot under his father’s name.

Here is a summary of our information about Anne and Judith:
Anne FLIGHT born 13 Jan 1775 child of Thomas FLIGHT and Anne ROBERT, was baptised at town church St Peter Port Guernsey, Channel Islands on 15 January 1775. (ref. IGI B7133719 50. Film sighted 11/97). She died 17 December 1838 aged 63 and was buried 22 December 1838 at Green St Cemetery St Helier. (Ref Parish Record Index 22 Dec 1838 Ann Hemmett – original not sighted).
At age 22 Anne married William BARTLEY, son of John of St Austell, Cornwall (IGI 7132323). William died before 1806.  There were two sons Robert John (1798) and William James (1801). It is possible there was also a daughter Betsy born about 1804.
Anne married Nicholas LE CAPPELAIN (CAPLAIN) when she was 31, 0n 23 April 1806 at St Peter Port. (IGI index only sighted 2010.) Their daughter Judith Nancy Le Cappelain was born about 1807 at St Peter Port, Guernsey. Judith married Robert BAKER at the town church in St Helier, Jersey. (Parish record index states ‘Capelain’. Robert was from St Austell.
Judith died on 19 December 1845 and was interred in the Bartley plot 180, Green St Cemetery.

Some time before 1836 Anne married John HEMMETT. They separated in September 1836.

Saturday, 4 April 2015

Wednesday, 9 July 2014

Auckland Colonial Period Concrete construction and Wilson's Cement




Concrete was a fairly revolutionary medium for domestic construction in Auckland during the 1870s, as timber was both plentiful and traditional in the North.

There is no doubt that Edward Bartley followed the development of concrete technology with interest.

The Paris Exhibition in 1870 had featured displays of form work for this type of construction. In New Zealand, meanwhile, Josiah Firth had extended his Auckland home Clifton in 1871 with a flamboyant concrete tower.

A few years later, in 1874, Philip Herepath had designed the Church of St James, Beresford St, using monolithic concrete. Not far away on Richmond Hill, the Warnock family had erected solid concrete buildings for both dwellings and commercial buildings.

About this time there was news from the Channel Islands of the completion in 1873 of the world’s first concrete lighthouse at La Corbiere, Jersey.In July 1879 Edward designed a concrete villa on the Great North Road, Grey Lynn.

By 1880 Wilson & Co. were actively promoting domestic dwellings constructed from their hydraulic lime cement produced at Mahurangi, and Edward had already supervised the construction of three of them.

An Extract from the Auckland Weekly News April 1881[i]

J Wilson and Co, being the sole agents for this lime desire to call the attention of engineers, architects, builders, and the public to its many valuable properties, not only as an ordinary mortar, but as a substitute for Portland cement.


Amongst testimonials from J C Firth, Charles Stitchbury, Edwin Hesketh and others was this one from Edward Bartley:
Queen St, Auckland, October 18th, 1880
Messrs. Wilson and Co, Mahurangi Hydraulic Lime Merchants:
Gentlemen – I have much pleasure in stating that the three concrete houses you have erected with your hydraulic ground lime under my supervision, have fully come up to my expectations, that they are now without either flaw or crack of any kind and I consider them quite  equal to the cement buildings I have seen in Auckland. For cisterns I have proved it to be both cheap, substantial and perfectly water tight. For building purposes, and especially for stone work, I consider your lime unequalled, particularly in damp situations...The plastering on walls, chimneys etc done with your lime about twelve months ago is now nearly as hard as Portland cement, and with this advantage, its natural colour is the colour of bath stone...


Image from Cyclopedia of NZ Sn 5 p32 BFA



[i] AWN 16 April 1881 p15 col 4,5

Tuesday, 5 November 2013

Edward Bartley - The Formative Years


Family researchers and students often contact our archive looking for background information which gives context to the bald data of their source material.
Today I post an extract from our earlier publication Colonial Architect. The information presented here is relevant to both Robert and Edward Bartley researchers seeking to understand their ancestors immigration and settlement in New Zealand, and to those whose interest area relates to the development of early Auckland.
St Helier Harbour, Jersey,Channel Islands image from BFA Postcard collection

The environment and attitudes of Europe in the Victorian Age were to have a lasting effect on Edward Bartley. His formative years were spent in the Channel Islands in a close family environment. He was born in 1839 in the Channel Islands parish of St Helier, Jersey. The Islands were, and still are today, a dependency of the British Crown but not of the British parliament. Their peculiar independent status stemmed from an historical connection with the Duchy of Normandy. The local dialect of Jersiaise is a derivative of that Norman French.
Edward was one of a large family of twelve children. A strong sense of duty and service to community was instilled in all ten surviving children, as they were raised according to the strict Methodist principles of their parents. The Bartley children, like many of their fellow parishioners, were a typical mixture of English and native Channel Islands stock. Schooling and business were conducted in Jersiaise. They lived in a tight-knit local community but had family connections on the island of Guernsey, in England, Europe and in America.
The family home was in Union Court, St Helier- a short lane running off the North side of Union Street. Their home was designed and built by their father, one of several houses in the development of the Court. The Bartley children were well educated, according to the standards of the day. Edward received a solid grounding in drawing, drafting, music and calculation, in addition to the languages, classics and mathematics. He had also acquired a taste for the new science and technologies, which were developing swiftly at that time. In particular the advancements made in the development of the microscope, and in photography, continued to interest him all his life.
Edward was apprenticed to his father, a builder/ architect, at the age of 13. In this he followed his eldest brother, Robert, who was already qualified as a master builder. Two years later he left Jersey, having acquired some work experience and the saleable skills of building and carpentry.
The family’s decision for some members to leave the Islands followed an earlier pattern. An elder married sister, Eliza, left for Australia around 1850. Other cousins and in-laws had settled in America. The local economy was flat, with no further large public building projects being considered. Their father was of an age to retire. He had also contracted tuberculosis, a disease which had already claimed several family members. Emmigration was always a viable option, whether for physical or economic wellbeing. Even the longest sea journey was an attractive proposition with the right inducement.
Edward was fortunate to travel with his eldest brother Robert, a married man, with several children. There were a number of likely destinations available to the family, but the possibility of land grants to approved settlers may have tipped the balance in favour of New Zealand. The Provincial Government of Auckland was keen to attract immigrants and had begun advertising in the British Isles a scheme of free grants of land in the Province. The rate of entitlement for Cabin passengers was one half the sum outlayed in passage money. Robert and Esther bought passage for their family, Esther's sister and Edward, under this scheme. Leaving in June, from England, on board the Joseph Fletcher, the Bartley family arrived in Auckland in October 1854. They must have felt their decision a timely one. In March of that year conditions in Europe had deteriorated further, leading ultimately to the British declaration of war against Russia.
Auckland in 1854 was no sophisticated port settlement.  In the absence of a wharf, the ships anchored in midstream. Passengers and goods were transferred to lighters and run ashore on to the beach to disembark. In some weathers this could be a hazardous and nerve wracking end to a long sea journey, especially for parents of young children who had been penned up for several months.
Edward had worked primarily as an apprentice carpenter and joiner on Jersey. Robert had been employed on a number of large projects there, where the majority of new buildings were constructed from the plentiful local stone. However, the builders waiting at Auckland for the arrival of the Joseph Fletcher that October were keen to acquire skilled labour for a very different kind of construction. Here they were concerned with building entirely in wood, from the very foundations on up. Men with good training who could quickly adapt to colonial methods were desperately needed- men who were not above dressing their own timber in order to get the job done. It was hard physical work that was waiting and there was plenty of it.
Edward's sketch of the first Auckland Prison and Gallows illustrates the contrast in environment between St Helier and Auckland

Edward later recalled how strange the work seemed to him, used to the more delicate work of cabinetmaking. He and his brother were employed by the builder Mr A Black to construct a block of five two-storey shops at the corner of Queen and Victoria St East. There were no timber mills supplying dressed timber. At this time all the boards had to be planed and the tongue and groove worked by hand. The men worked a twelve hour day.
In 1855 when William Griffin, the Chartist activist, called the first public meeting of the Eight Hour Movement in Auckland Edward and a co-worker William Philcox were in attendance. They became instrumental in organising carpenters to be one of the first trades to take action in support of an eight hour day. Employers were given six months notice of their intention to work eight hours instead of twelve. This gentlemanly consideration was given to prevent the disruption of contracts already tendered for. The Chartist principles and the disturbances they occasioned in Britain had left a deep impression on the young Edward growing up in Jersey. Over the years he continued his association with the Eight Hour Movement, working on the committee and attending the annual soiree and the later picnics on Regatta Day.
By 1857 Edward was working with Mr Edmund Israel Matthews. Mr Matthews had come to New Zealand about 1848 with the Department of Royal Engineers. This former Clerk of Works had retired from service to conduct business on his own behalf as a contractor. His contacts and reliability ensured him the lion’s share of Government work. Edward was now 18 years of age. In that year work began on the Mt Eden Gaol, under the supervision of architect Mr Reader Wood.[i] Mr Matthews, with Edward under his wing, was one of the contractors involved in the construction.
Edward's later career owed a great deal to the guidance of Edmund Matthews. He introduced Edward to the superior methods and systems of the Royal Engineers. He also facilitated Edward's access to the latest developments in engineering and construction through his influential connections in provincial government and the military.
Two years later, in February 1859, Edward married Elizabeth Hannken. Elizabeth’s family had come to New Zealand in 1840, settling first in Coromandel before coming to Auckland. Both the Hannken’s and the Bartley’s worshipped at the High St Chapel and her grandmother was from a Jersey family. Edward and Elizabeth shared an interest in music and had both joined the new Auckland Choral Society. The young couple made their home in Union St, becoming owners of part of the original Hannken property there. [ii]
 In 1858 the Militia Act had divided the country into military districts and a system of ballot was introduced. Allowances were made, however, for men to substitute service in volunteer companies in satisfaction of their militia duties. A great number, including Edward, did so. He became a member of the Royal Rifle Company of Volunteers. Part of his employment in this year was work on the construction of the Whau blockhouse, situated in the area now called Blockhouse Bay. Colonel Mould, of the Royal Engineers, designed the building and was careful to acquire the most strategic site. Set above the harbour it was constructed to monitor and defend the traditional route from the Whau estuary to the Manukau. The payments to E. I. Matthews dated from 14 April 1860 until 9 June 1860.
By this time the population of Auckland had grown to approximately 8000 people.
Improvements had been made in the main commercial area of Shortland St and amenities provided where they coincided with the requirements of the government and the military. Elsewhere the streets were narrow, dusty in summer and a quagmire in the winter. Fire had destroyed much of the High St area in 1858, resulting in a shift towards development of Queen St. At that time Queen St was definitely not a prestigious location. It was divided by the tidal Horutu Creek, which ran down the middle of the street. Known locally as the Ligar Canal, this foetid waterway served as a sewer and a drain for adjacent properties, meeting the sea in a swampy area at the beach. The creek was mostly boarded over with planks by the 1860s, but still a hazard to health and personal safety.
As early as February 1854 there had been petitions and complaints registered against the continued use of wooden construction in the town.[iii] Fire was an ever- present threat and Auckland was without adequate water or facilities to fight back. Most Auckland streets contained rows of small wooden dwellings packed close together alongside workshops, mills, smithies and commercial premises. Apart from the fire risk there were serious public health issues to contend with as the population increased. Sanitation services were rudimentary and infant mortality was high.
In the absence of any cohesive town planning, construction went on in wood, much as before, with gradual expansion of businesses into previously undeveloped sites.
One of these new commercial buildings was the Auckland Savings Bank. The project had already experienced a good deal of delay and dissension before Mr Matthews won the contract for construction with a deadline of March 1862. The architect was, by then, Mr Reader Wood. In May a boundary dispute arose which stopped work and required the intervention of the Surveyor Mr Charles Heaphy. The Daily Southern Cross reported in August that the work on completing the building had been done in a creditable manner:[iv] This despite some debate on the standard of workmanship and the delay in it’s completion. Nevertheless the Bank Trustees deducted from their final payment to Mr Matthews a sum equivalent to the three months’ rent the bank had had to pay for its’ temporary accommodation. This experience may well have coloured Edward’s views on the relative bargaining positions of the contractor, the architect and the client. At this time there were no standard terms and conditions in building contracts. Much was assumed to be understood between the parties who worked together regularly in such a close environment. A specific out-clause for liability for time and cost over-runs was obviously not part of Mr Matthew’s protection in this case.
By 1862 Edward was a foreman, engaged with Mr Matthews in demolishing the original St Paul’s Anglican Church in Emily Place. The front gable and tower were left intact and the Church was replaced by a new design by Colonel Mould.[v] Edward particularly admired the design and construction of the roof principles. The building was, he felt, an example of true Gothic Architecture. [vi]   
Building work continued in Auckland while the atmosphere in the town became increasingly tense. The Waikato was only 40 miles away. Many settlers were sending their families into Auckland for their safety. The Volunteers were attending regular training and assisted in manning the Domain Blockhouse against surprise attack.
When the war broke out in July 1863 Orderly-Sergeant Edward Bartley of the No. 5 Militia was ordered to the Front. His active service was short lived. Eleven tradesmen were required to return to complete the Fort Britomart stores, as capacity was fast being outstripped by demand. Edward returned to town and set to work.
In 1865 Mr Matthews and Edward entered into a partnership. Edward was 26 years old and the father of three young children. He may have been able to bring some capital into the business by this stage, but the economic climate was not favourable to the building industry at this time. The military and immigration-led strength in the local economy was waning, making it a difficult time for any financial commitment. The capital city had been removed from Auckland in February, with the attendant loss of personnel and Government contracts. The gold fields of the South continued to pull people away to those areas of the country with more promise of wealth and few native concerns. The removal of the bulk of British troops was now clearly inevitable, no matter how much decried by the Auckland businessmen and speculators. Their partnership, however, seemed fortunate in securing regular engagements.
Matthew & Bartley, Builders traded from the Matthews Seering Hall in Grey Street, with further premises on Elliot Street.[vii] In later years Edward recalled working on the Wesleyan Church in Pitt St. It was completed and opened in October 1866. An inspection of the trust accounts for the Pitt St Church revealed no payments to Matthews & Bartley. It is likely, therefore, that they were sub-contractors to H White, the head contractor on the project, who managed the construction for the architect Mr Herepath. The foundation work for this building was huge and expensive but the building was finished on time, in less than twelve months.
Wesleyan Church, Pitt St, Auckland

The Supreme Court building was another early contract. This building had been started in 1863. The original builders were Amos & Taylor, working to the design of the architect Edward Rumsey. The building had been much criticised in the press, not only for the design but for the interior arrangements as well.[viii]  The services of Amos & Taylor had been dispensed with midway through the construction with acrimony on all sides. Edward later recalled the first payment from this contract came on April 27 1867 and the last in January 1868. This indicates that Matthews & Bartley were involved in the later stages of construction, probably as sub-contractors, from about March of 1867. The building continued to receive unfavourable press in the years to follow.[ix]

Supreme Court, now High Court Auckland

It was about this time that Edward met Anton Teutenberg, a trained engraver who had arrived in Auckland in July 1866 on the Rob Roy with his sisters and his nephew. Teutenberg's brother was already in New Zealand and well known in the Auckland Prussian community. On the voyage out Anton had passed the time with some carving and decorative work for the captain of the ship. Some of these examples of his craftsmanship were shown to the architect Mr Rumsey. This led to his being asked to provide a sample of work in stone  which was accepted, bringing him a commission to work on the heads and gargoyles for the Supreme Court.
Decorative carving detail, Supreme Court Auckland

Edward evidently admired the talents of this young man, maintaining a close business association with him for many years. After Anton opened his own engraving business in Auckland, in 1867, he continued to provide carving for Edward’s buildings. The best known of his later work was the elaborate pulpit and window decorations for St John’s Methodist Church Ponsonby.
February 1870 saw Edward moving to a greater degree of independence with the lease of offices in Albert St, on his own behalf. It was at about this time that he began to apply for purely architectural work in addition to tendering for available building contracts. About June 1872 he moved his growing family to a new home at The Strand, North Shore[x], later building his own home in Victoria Road, Devonport.




[i] Reader Wood trained in Leicester with William Flint, architect and surveyor. He arrived in Auckland in 1844. After serving in the North with the Volunteer Militia he served as Inspector of Roads and Deputy Surveyor General until 1856 when he turned to private practice as an architect and a career in politics as Member for Parnell.
[ii] Allottment 22, section 42, part of. Edward was still resident there in 1871. Refer Auckland Provincial Government Gazette Electoral Roll for West Ward #3 1863
[iii] Refer The New Zealander 11 February 1854
[iv] The Daily Southern Cross August 1862
[v] Colonel Mould was a man of many talents. Active in the Taranaki, he returned to Auckland and set       about organising recruitment, as well as supervising the provision of more satisfactory roads, which were so essential for improving troop movement to the Waikato
[vi] Reminiscences of Edward Bartley. Unpublished Manuscript. Bartley Family Archive
[vii] Auckland Directory 1866-67
[viii] New Zealand Herald 10 May 1865
[ix] New Zealand Herald 11 April 1871
[x] now Queen's Parade, Devonport

Tuesday, 10 September 2013

Architecture of Edward Bartley

 Each Southern Hemisphere Spring Auckland New Zealand holds a heritage festival. Recognition of our built heritage is an important part of the event.

Bartley Family Archive holds a strong collection for those interested in colonial architecture. Here we share some of those images as our contribution to the Heritage Festival 2013.

All of the buildings illustrated below are associated with Edward BARTLEY (1839-1919).
Edward was born in St Helier, Jersey and emigrated to New Zealand as part of the family group led by his eldest brother Robert BARTLEY.

During his long career Edward served as architect to the Anglican Church, the Auckland Savings Bank and to the Auckland Hospital Board. By the time he was asked to supervise the construction of St Matthew’s in the City in 1901 he had already designed more than twenty churches for various denominations.

To Aucklanders his most familiar designs are the Jewish Synagogue in Princes st, St John’s Ponsonby, ASB building Queen St and the Blind Institute building in Parnell. All of these surviving buildings are designated Category One by the New Zealand Historic Places Trust.

The geographical spread of his designs extends from Whangarei to Cambridge. He also fostered the next generation of notable New Zealand architects – both Gerard Jones and M.K.Draffin were articled to him.

In addition, his early involvement with the Eight Hour Movement, industrial and technical education, the Society of Arts, the Museum Institute and the Devonport Borough Council are just some of his contributions to the growth and development of the Auckland region.

ASB Queen St Cross Section

ASB Queen St Front Elevation






Sailors Home Auckland

ASB Devonport Auckland

ASB Devonport Auckland


ASB Devonport Auckland




Holy Trinity Devonport Auckland

Pitt St Theatre Auckland, now the Mercury **endangered**

Mr Wharfe's House Devonport Auckland

Mr Wharfe's House Devonport Auckland

Mr Wharfe's House Devonport Auckland

Costley Home Auckland

Whangarei Hospital

Blind Institute Parnell

St John's Ponsonby

Waiting Rooms Victoria Wharf Devonport

Wesleyan Church Waiuku

Friday, 23 November 2012

Robert Bartley and Esther Kerby



In this next few posts I would like to share some of the images donated by the descendants of Robert Bartley (Jnr) and Esther Kerby. Thanks to all of the families who gave of their time, research and photographs.


Obituary Robert BARTLEY from New Zealand Herald Friday, 5 Sept 1913

Death of a Jerseyman in New Zealand: An Early Settler

Another of the rapidly diminishing band of early settlers, in the person of Mr Robert Bartley died yesterday at the age of 87, at his residence at Devonport.

The late Mr Bartley was born at Jersey, in the Channel Islands, in 1826, where he was brought up to the building trade. With his wife and three children, he arrived in Auckland by the ship Joseph Fletcher in 1854.

The deceased commenced business here as a builder and contractor, and carried on this work for many years. On retiring from his business he was appointed yard manager for the Kauri Timber Company, which position he held for some time.

For some years past, Mr Bartley has been living in retirement at Devonport. He took a keen interest in public affairs, and was always willing to help forward any deserving cause brought under his notice.

He leaves a widow and the following sons and daughters: Messrs Walter Bartley
(Ponsonby), Charles Bartley (Richmond Rd), Clement Bartley ( Ponsonby Rd),
Edwin Bartley (Christchurch), Mesdames J H Witheford, S G Rountree. S Gilbert & R Tudehope.





Robert and Esther's daughter Julia was born at St Helier on Christmas Eve 1851. Her baptism has not been found in the parish register at St Helier, but it likely to be recorded in the records of the Wesleyan chapel there.
In Auckland, New Zealand Julia met and married Stephen Gilbert ROUNTREE, son of Meredith Rountree and Margaret Ann GILBERT, of Co Armagh, Ireland.
Julia and Stephen were married at the Bartley home in Nelson St, Auckland on 19 Dec 1874.


Julia Bartley
The Children of Stephen Rountree and Julia Bartley

Eva 1876 - 1933 ( m Arthur Ferneyhough)
Harry 1878-1950 (m Stella Stewart)
Maud 1879 - 1965 (m Samuel Barry)
Vera 1881 - 1961 (m Percival Mourant)
Zillah 1884 - 1974 (m William Ray Ellingham)
Myrtle 1888 - 1966 (m Horace Richards)
Edward (Ted) 1890 - 1976 (m Anne Rae)

Search copy of Marriage Register Entry


Julia
















Saturday, 17 November 2012

Queree Connections


Continuing with the children of Robert BARTLEY and Betsy BENEST, of St Helier, Jersey, Channel Islands

Amelia Bartley and John Queree in 

New Zealand


Amelia Bartley was born in September 1841. After her father died she left Union Court and, with her siblings Louisa and Alfred, went to live with their sister Jane Hamon. Jane and Charles Hamon ran a drapery business in St Helier. Amelia was employed as their drapery assistant. Shortly after the census was taken in 1861 she married John Queree.
 John was born on Jersey about 1839, a child of John QUEREE, a mason, and Joanna GEACH, a dressmaker. His mother was born in Ireland.  He had a sister Joanna who was born in 1840.
In 1841 the family lived in Albert St, St Helier but his father died about 1850. They are recorded in the census of 1851 at 2 Columberie St. John was twelve at the time. 
1851 census Queree

In 1854 his mother remarried to Mr Shapcott. The family enlarged then with the birth of Ada Shapcott in 1855 and Mary in 1858. Mr Shapcott died about 1860. John was living at home with his mother and step-sisters in 1861, at 34 King St.  John’s mother passed away between 1862 and 1871.
1861 census Queree

About 1857 John’s sister Joanna married John Hutton SNOOK, a master mariner. Their family included Henry (1858), Joanna (1859), Adolphus (1861), John (1862), Evelyn (1863), Jessie (abt. 1866), Maude (1866), Annie May (1867).
By 1871 she was a widow with eight children of her own, as well as the care of her step sisters Ada and Mary. 
Joanna must have been a capable person as family research suggests she was an accomplished and active musician. She also worked with her brother in his business.

John Queree worked as a boot maker in the town, not far from Hamon’s drapery. He and Amelia set up home at 19 Trinity St in St Helier. Their first child John, born 1863, died as an infant.  Earnest (b 1864), Theodore (b 1865), Amelia (1868), Florence (1869), who died young, and Walter (1872) completed the family. Just after Amelia was born they moved again to 29 King St. 

 All of the Queree children went to work in their uncle Hamon's drapery business when they reached the age of 14. The footwear business was unable to support them all. 

The letters home from Auckland in the early 1880's would have been very positive in tone.
Auckland was booming. Edward was well established as an architect. Robert was looking forward to a comfortable retirement, his children having made successful careers and marriages in New Zealand. 
About 1882 John and Amelia Queree made the decision to emigrate to Auckland to join Robert and Edward and their families.
John's sister Joanna had already left St Helier. She remarried in 1881, to Thomas LE SUEUR. This couple were married and lived in Brighton, England. (BDM2b406202) Joanna died there in 1903.

All the Queree family except Earnest are listed on the passenger list of the 'Westmeath' which arrived in Auckland on the 16th of May 1883.[1]  Earnest gave his arrival date as 1884 but his ship has not yet been found.

At first John pursued his trade as a boot maker, but the Queree’s were barely settled in Auckland before the economy tightened. 
In the late 1880's and early 1890's the town experienced it’s most severe depression. In 1891 they lived at Hepburn St, with all except Earnest at home. He may have been living with his uncle Edward’s family in Devonport for several years. In 1899 the Queree’s were living in Kent St, moving later that year to Hepburn St.
Earnest carried on his earlier trade as a draperer and was employed by Milne and Choyce and later with DSC. He married Maria PHILCOX in 1889 at Devonport. Alf Bartley was best man at their wedding.

The Philcox Connection

Maria’s father was a builder in Devonport and a friend of Edward Bartley’s. William Philcox was about the same age as Edward, being born in 1838. He arrived in Auckland on 8 August 1856 aboard the Lord Burleigh.[2] He married Sarah Elizabeth Rose the year after. 
In the Jury list for 1858 he is listed as a carpenter of Barrack St. The first of their children was born at Khyber Pass, which was to be the family home until their later move to the North Shore. He may have been employed by E.I.Matthews and worked with Edward from his first days in the Colony. They were both founder members of the Eight Hour Movement in Auckland.
By 1862 he owned two other properties at 92 and 94 Albert St which he rented out.[3] He was in partnership with another carpenter, a Mr Vaughan from late 1863 until August 1866. They worked from leased premises on the corner of Albert and Wellesley St.[4]
At this time Edward was in partnership with Seering Matthews, as Matthews and Bartley. They owned their premises in Grey St. On the night of 7 February 1867 fire broke out there, completely engulfing the building and sweeping through neighbouring properties. While the property itself was insured there was a complete loss of all stock and machinery, including work in progress to complete contracts. Financially it was a particularly difficult period for the Bartley family, as the year before a rental property Edward owned on the corner of Drake St, leased to Mr Conway the shoemaker, had been gutted in a similar spreading fire. [5] 
The Matthews and Bartley partnership, begun on 2 Jan 1865 was dissolved 26 Feb 1870[6] and Edward continued as a sole trader until he and William Philcox went into partnership together about 1873. The two men shared a musical interest as well. They were founding members of the Auckland Choral Society and sang together in the Christies Minstrels in the 1860’s.
Together they had moved to Devonport and joined the parish of Holy Trinity there. Both Mr Philcox and Edward Bartley served as choir masters for the parish at various times. In 1875 they presented a pair of kneeling stools to the parish and a donation of £35 towards a new organ. [7] Later they designed and presented a new lecturn.
William Philcox died at Buchanan St Devonport in July 1917.[8] 

Maria Queree (nee Philcox) was a very talented pianist, active in the Devonport Musical Society, as were Earnest and Theo Queree, along with their Bartley cousins. The families’ interests meshed throughout Auckland arts and cultural groups.
At the Philcox home in Devonport, called “The Shrubbery” for it’s extensive gardens, she held At Home recitals from her late teens. These events, and the public accompaniments and recitals she was engaged for, brought the Philcox family into contact with most of the local and overseas talent. As she wished to continue her career after her marriage Maria needed suitable premises from which to continue the teaching, recitals and networking demanded by her profession. Her father built a home in Devonport for the young couple as a wedding gift.[10]
After her marriage Maria travelled widely, appearing regularly in recitals and concerts in Wellington. In April 1893 she advertised in the Evening Post as a tutor of pianoforte. [11]  This was the same year she made her debut in Wellington as an accompanist. The occasion was a benefit concert to raise funds for Miss Fisher to study in Melbourne.  From the beginning her Wellington engagements were steady. [12] . The couple were still resident in Auckland however.[13] Their young daughter Renee was often present at the At Home concerts as a toddler. 
Observer 3 July 1899

In later trained years Renee trained in Berlin and toured England as an accompanist in 1913, staying with her brother Theo Jnr while she was in the UK. She came back to New Zealand just before the outbreak of the war as her father had died in May 1914. [14] He was buried at Karori Cemetery with a memorial cross provided by his Auckland friends.

The Queree brothers moved to Wellington about 1900 to set up their drapery business at 116 Willis St, formerly Walsh’s.[15]Walter Queree had also been living in Auckland and joined the business in Wellington about that time. He had survived a distressing experience at New Year in 1899. He was boating at Lake Pupuke with his friends the Hall brothers. Tracey Hall, well known in amateur operatic circles, was unable to swim. He drowned on the lake despite Walter’s attempts to save him.[16]

Theo Queree was in employment as a tailor and later window dresser for Milne and Choyce. He was active as costumier for the Choral Society and amatuer operatic societies in Auckland. He designed the sets for many of theatrical events held in Devonport and was well known as a talented artist, singer and musician as well. In March 1895 he joined with Alf Bartley and his sister Amelia to perform at the concert opening the annual show of the Birkenhead and Northcote Fruitgrowers.[17] He also sang at the very fashionable occasion of a soiree at the home of R.H.Abbott, where Alf Bartley was the principle accompanist. He remained in Auckland until about October 1903 when he left for Wellington to work initially for D.I.C.[18].

Amelia Annie had stayed at home with her parents. In 1892 she met John Pollard MOUZER, a teacher, whose father and uncle were tailors. John had been born in Suffolk and immigrated with his family to New Zealand. They were married in the All Saints Church in Auckland on the 27th of December 1892. By this time her Father was in his fifties and employed as a warehouseman. 
The Mouzer’s made their home in Selwyn St in Auckland. By 1899 John Mouzer was working as a piano tuner. Unfortunately neither their finances nor their marriage had prospered and the couple separated about that time.
Amelia Bartley died in Auckland on 9 August 1903. She was buried at Purewa.

  After his wife’s death John Queree went to join his sons in Wellington. He remained there until his death in 1913 at Nurse Jackson’s private Hospital[19], suggesting that he was not in good health at the time of Amelia’s death. His remains were returned to Auckland where he was buried beside his wife on 22 June 1913.

The Children of Amelia Bartley and John Queree

John Alfred (1863-1864)
Earnest Hugh (1864-1914)
Theodore George (1865-1954)
Amelia Annie (1868-?)
Florence Louisa (1869 - ?)
Walter John (1872-1944)





[1] Auckland Evening Star 17 May 1883
[2] Daily Southern Cross 12 August 1856 p2
[3] Ibid 27 December 1862
[4] Ibid 21 August 1866; 23 August 1866 p3
[5] Ibid 8 Feb 1867 p3; 9 Feb 1867 p3; 19 Nov 1866 p4
[6] Ibid 2 March 1870
[7] Daily Southern Cross 26 Jan 1876
[8] Auckland Weekly News Obit 26 July 1917
[9] Evening Post 23 July 1917 p8
[10] The drawings for Maria’s house are held at Auckland University Architecture Library, along with the remaining Philcox papers.
[11] Evening Post 14 April 1893
[12] Ref Evening Post 19 June 1983; 20 July 1893; 9 Oct 1893
[13] Ref Evening Post 27 April 1895 where Earnest makes a submission to the Tariff Commission for free admission of musical instruments to be used for worship. Also Observer 3 Jul 1899 re: at home concert.
[14] Evening Post 15 July 1914
[15] Evening Post 26 August 1908
[16] Thames Star 3 Jan 1899
[17] Observer 2 March 1895 p 10
[18] NZ Free Lance 17 October 1903
[19] Evening Post 21 June 1913 p1