1ZB Broadcasting House Durham St Auckland by Alva Bartley

Broadcasting House, this and all promotional images shown here 1941 probably by Doree & Sache
 SGGSC 915 Album  148.0003

Today we explore a building designed by Alva Bartley, son of Clement Bartley. This is not one we can visit today. We do have some wonderful images though. Auckland Public Libraries Special Collections has digitised images from the agency Doree & Sache.

Alva Bartley and Norman Wade were in partnership from 1920 until 1935.  More information on Alva's early career is available here.
When Norman Wade set up on his own he retained the Auckland Harbour Board as a client. Alva Bartley retained the broadcasting business. This was now under the National Broadcasting Service, established in 1936. Both men continued to explore the potential of the Modern Style which was such a feature of their work together.

In 1939 Alva designed Auckland's second purpose built broadcasting building. In partnership with Norman Wade he had already completed the 1YA building in Shortland St. This brief was for a much grander affair.

The Government purchased land in Durham St, behind His Majesty's Theatre. The site was being used as a car park. It offered a street frontage of about 42 metres ( 139 ft) and a depth of 18.6 m (61 ft).

The site of Broadcasting House crner Durham St West and Durham lane AWN 1 Sep 1939

 The contract price of £70, 000 was confirmed just two months into the Second World War, in November 1939.1 N Cole Ltd of Auckland secured the building contract.
Construction began in 1940. By October 1941 the building was open and operational.2

Front Entrance SGGSC 915 Album  148.0002

Two views of the central stairwell, from above and below 

Alva had some interesting talent working with him on this project.
Imi Porsolt, a talented European emigree, was one. His contribution to New Zealand art and architecture was later profoundly influential, both as a teacher and as a practitioner. 3
Raymond Thorpe, later of Cutter Thorpe, was another. He had worked with Lippencott previously.
These men, with their associates such as Ralph Pickmere, would take a lead role in shaping art, design and architecture in post-war New Zealand.

The staircase from the entrance way.

The same staircase from the first floor foyer

This design has been described as New Zealand's first truly modernist building. That may be so. It must have look extremely luxurious to war-time Auckland. The style was glamorous and confident- both qualities associated with broadcasting technology. The new broadcasting theatre it contained was highly praised. Big bands played here before live audiences. It remained an important contributor to New Zealand music in many genres.
The building was removed in 1990 about the same time as its neighbour His Majesty's Theatre.

The Theo Walter Band performing in the live broadcasting theatre. 1941 SGGSC 915 Album  148.0019

A close up of the Art Deco styling details on the theatre stage SGGSC 915 Album  148.0021

Enjoy the rest of the images - our thanks to APL

Inside one of the recording studios. SGGSC 915 Album  148.0035

An interior and exterior view of a studio SGGSC 915 Album  148.0029 & 31

Control room, recording studio SGGSC 915 Album  148.0033

Studio reception area SGGSC 915 Album  148.0025

Executive offices SGGSC 915 Album  148.0038

Office area SGGSC 915 Album  148.0026

First Floor Foyer SGGSC 915 Album  148.0012

1. Ref NZH 3 Nov 1939
2. Ref AS 7 Oct 1941
3. See University of Auckland Architecture Archive Porsolt entries

Elam and the arts

Why closing the art libraries at Auckland University is a really big deal

Our forebears would no doubt be dismayed. Their efforts to establish a rich cultural expression in music, art, theatre and literature provided us with a privileged environment. 120 years later that legacy is in dire straits.

The original intention of Dr Elam was for a free public art school for the citizens of Auckland. It opened in 1889 with Mr Payton appointed as the first teaching master.
The actual words of the bequest make clear the intention was not for profit. The intention was to enrich the lives of individuals in the community.

NZH 29 June 1886

It was not the first such initiative. Dr Logan Campbell’s Free School of Art opened 2 November 1878 (NZH 31.12.1889). Dr Campbell closed his establishment in 1889 because the Elam School of Art was ready to open, thus ensuring the continued art education of the public.
Let’s be clear – the Elam bequest was no aberration. Those who established this city envisioned a rich cultural expression supported by shared values of equity. Commerce was the means supporting community – not the rationale for dismantling it.

The library that developed with the Elam School of Art now constitutes a resource of more than regional significance – there is no other like it in our part of the world.

Closing the Elam library and other arts libraries at University of Auckland is symptomatic of a wider pattern. We inherited institutions ensuring the arts were available to all. What have we built for those who come after? What are they to inherit from us?